at the 5th Biennale in Paris, in the fall of 1967. Pierre Restany - one of Europe's most respected art critics - wrote that unfortunately he was unable to attend the whole event because of a journey to South America, but had to settle for the last few days:
"But better late then never. Sjolander's works struck me with their absolute modernism.
I was also struck by his acute instincts, his poetic use of the technology of the mass-medium - an iconographic liberation on the level of information technology - all in the language of the masses.
Sjolander's works of art, which combine art and technology, become an attempt to preserve our poetic survival.
It is a truly humane, or rather humanistic achievement, in the modern sense of the word."